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October 05, 2006


cameron ewing

projecting images against the backdrop of the desert sounds like an incredible project, in addition to the curratorial excercise.

assuming that everyone wants to run with the theme of "intimacy in the remote" i would pose that we open up the projections to videoclips as well.

as a group we can pull together various interpretations of the theme and project the body of work throughout the night.

Cassandra Chae

"something intimate in the remote . . . " i like your idea of expanding the design context to the actual environment. it involves the idea of the journey to the desert. so maybe we should think of "the curatorial" in the same way - but as it pertains to the individual. so then the narrative is defined by the frame, acting like a snapshop of the place each individual is at in their own personal design journey?

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